Presentations, Lectures, and Chairmanships
- Ventura Nieto, L., & S.
Chang. (2022, April 2). What’s in a name? The Arpicordo and
Painter-Musicians in the Sixteenth Century. The Renaissance Society of
America (RSA) Annual Meeting, Trinity College Dublin, Dublin, Ireland.
-
Chang, S. (2021, October
30). Gesturing, Painting, and Music-Making in the Sixteenth Century.
Sixteenth Century Society and Conference, San Diego, USA.
- Chang, S. (2021, September
25). Making Music, Making Art: Women Painters and the Sister Arts. The
Feminist Art History Conference, American
University, Washington, D.C., USA.
-
Chang, S. (2021, July 7). The
Sound of Painting: Intersensoriality in the Sixteenth and Seventeenth Centuries.
Soundscapes in the Early Modern Conference,
Liverpool John Moores University, Liverpool, United Kingdom.
-
Ventura Nieto, L., & S.
Chang. (2021, July 6). Sixteenth-Century Female Painter-Musicians and the
Arpicordo Problem. Medieval and Renaissance Music Conference, Universidade NOVA de Lisboa, Lisbon, Portugal.
-
Ventura Nieto, L., & S.
Chang. (2021, cancelled due to COVID-19). Sixteenth-Century
Female Painter-Musicians and the Arpicordo Problem. Society for Renaissance Studies Biennial Conference, University
of East Anglia, Norwich, United Kingdom.
-
Chang, S. (2021, April 24). Tuning and Listening to Paintings in the Seventeenth Century
. Forum for Medieval and
Renaissance Studies in Ireland (FMRSI): The Senses in Medieval and Renaissance
Europe: Hearing and Auditory Perception, Trinity College Dublin, Dublin,
Ireland.
-
Chang, S. (2021, April 13). Idleness
and Performance: Women’s Self-Portrait in Early Modern Europe
. The
Renaissance Society of America (RSA) Annual Meeting, Online.
-
Chang, S. (2020, cancelled due to COVID-19). Gesturing,
Painting, and Music-Making in the Sixteenth Century
. Sixteenth Century
Society and Conference, Baltimore, USA.
-
Chang, S. (2020, July 4). Variations on a Theme: Flemish and Italian Polygonal Virginals inside the
Painter’s Studio
. Medieval and Renaissance Music Conference, The
University of Edinburgh, Edinburgh, Scotland.
-
Chang, S. (2020, cancelled due to COVID-19). The
Dialogue between the Sister Arts: Frans van Mieris the Elder in His Studio
.
The Renaissance Society of America (RSA) Annual Meeting, Philadelphia, USA
-
Chang, S. (2020, March 6). Gesturing, Painting, and
Music-Making in the Early Modern Period
. One or Many? The Sister Arts in
the Early Modern World, Centre for Renaissance and Reformation Studies,
University of Toronto, Toronto, Canada.
-
Chang, S. (2019, October 20). Listening to
Painting, Seeing Music: The Presence of Absence Inside the Painter’s Studio
.
Sixteenth Century Society and Conference, St. Louis, USA.
-
Chang, S. (2019, July 4). Listening to Painting: Music Inside the Painter’s Studio
. Medieval
and Renaissance Music Conference, Musik-Akademie Basel (Schola Cantorum Basiliensis),
Basel, Switzerland.
-
Chang S. (2019, June 14). The Presence of Absence: Music Inside the Painter’s Studio
.
Music and Visual Culture in Renaissance Italy, The University of Sheffield,
Sheffield, United Kingdom.
-
Chang, S. (2019, April 27). The Presence of Absence: Music Inside the Painter’s Studio
. Borderlines
XXIII: Sounds and Silence in the Medieval and Early Modern World, Trinity
College Dublin, Dublin, Ireland.
-
Chang, S. (2019, April 16). The Presence of Absence: Music Inside the Painter’s Studio
.
American Musicological Society New York State St. Lawrence Chapter Meeting,
Queen’s University, Kingston, Canada.
-
Chang, S. (2019, March 19). The Presence of Absence: Music Inside the Painter’s Studio
.
The Renaissance Society of America (RSA) Annual Meeting, Toronto, Canada.
-
Chang, S. (2019, February 25). Listening to
Painting, Seeing Music: Music Inside the Painter’s Studio
. Cabinet of
Curiosities’ Spring Colloquium, Centre for Renaissance and Early Modern
Studies, University of York, York, United Kingdom.
-
Chang, S. (2019, February 21). Painting at the
Keyboard: Music and Gender Identity inside the Painter’s Studio
. Wimmin,
Wxmyn, Wom(b)an … Shifting Boundaries, Changing Roles: Sheffield Gender History
Group Symposium, The University of Sheffield, Sheffield, United Kingdom.
-
Chang, S. (2019, January 11). Listening to
Painting: Music Inside the Painter’s Studio
. British Forum for
Ethnomusicology and Royal Musical Association Research Students’ Conference,
The University of Sheffield, Sheffield, United Kingdom.
-
Chang, S. (2018, July 4). Bunnies at Play: Music in the Marginalia
. International
Medieval Congress, University of Leeds, Leeds, United Kingdom.
-
Chang, S. (2018, May 26). Framing the Scene in the Seventeenth Century: Doors and Doorways in the
Painter’s Studio
. Historians of Netherlandish Art Conference, Ghent
University, Ghent, Belgium
-
Chang, S. (2018, April 13). Variations on a Theme:
Correggio’s Cloud Putti
. South-Central Renaissance Conference, Atlanta, USA.
-
Chang, S. (2018, April 7). Dangerous Domesticity: Portraits of Maidservants in the Dutch Republic
.
Association for Art History Annual Conference, Courtauld Institute of Art /
King’s College London, London, United Kingdom.
-
Chang, S. (2018, March 17). Bunnies at Play: Music in the Marginalia
. Canadian Conference
of Medieval Art Historians, Carleton University, Ottawa, Canada.
-
Chang, S. (2018, March 9). Listening to Painting: Intersensoriality and Correspondences between
Music and the Visual Arts
. New College Conference on Medieval and
Renaissance Studies, New College of Florida, Sarasota, USA.
-
Chang, S. (2017, October 27). Affecting the Musical
Body: Aural Devotion in Sixteenth-Century Europe
. Sixteenth Century Society
and Conference, Milwaukee, USA.
-
Chang, S. (2017, April 22). Listening to Painting:
Intersensoriality and Correspondences between Music and the Visual Arts
.
South-Central Renaissance Conference, The University of Texas at Austin,
Austin, USA.
-
Chang, S. (2017, April 8). Listening to Painting:
Intersensoriality and Correspondences between Music and the Visual Arts
.
Association of Art Historians Annual Conference, University of Loughborough,
Loughborough, United Kingdom.
-
Chang, S. (2017, March 24). Affecting the Musical
Body: Aural Devotion in Early Modern Europe
. Affective Piety: A Symposium
on the Engagement of Pre-Modern Emotions, Centre for Renaissance and
Reformation Studies, University of Toronto, Toronto, Canada.
-
Chang, S. (2017, March 3). Enter Stage Left:
Stepping into the Seventeenth-Century Painter’s Studio
. At Close Quarters:
Experiencing the Domestic c.1400–1600 Conference, University of York, York,
United Kingdom.
-
Chang, S. (2016, July 22). Listening to Painting:
Music inside the Painter’s Studio
. Music and Visual Cultures International
Conference, Maynooth University, Kildare, Ireland.
-
Chang, S. (2016, July 1). Performing Painting:
Music inside the Painter’s Studio
. “All the World’s a Stage”: Performing
Identity in Everyday Life Conference, University of Bristol, Bristol, United Kingdom
-
Chang, S. (2016, March 26). Enter Stage Left:
Stepping into the Painter’s Studio
. History of Art Graduate Student
Conference: Encountering the Interface, The Ohio State University, Columbus,
USA.
-
Chang, S. (2021, October
23). If Not Saint Luke, Then Who? Women’s Self-Portraits in Early Modern
Europe. Centre for Renaissance and Reformation Studies / USC-Huntington
Early Modern Studies Institute: Rethinking Language and Eloquence Colloquium,
Online.
-
Chang, S. (2019, December
5). The Painting within a Painting. A Celebration of Early Modern Studies, Centre for
Renaissance and Reformation Studies, University of Toronto, Toronto, Canada.
-
Chang, S. (2019, November 29). The Haywain Triptych
by Hieronymus Bosch. FA/ARTH 2560 3.00 Renaissance Art and Architecture,
Department of Visual Art and Art History, York University, Toronto, Canada.
-
Chang, S. (2019, June 14). Monsters in Art.
FAH102H1 Art and Ideas, Department of Art History, University of Toronto,
Toronto, Canada.
-
Chang, S. (2019, March 15). Music in Art and
Artistic Theory. FAH341H1 Venetian Renaissance Art, Department of Art
History, University of Toronto, Toronto, Canada.
-
Chang, S. (2018, October 11). Framing the Scene in the Seventeenth Century:
Doors and Doorways in the Painter’s Studio. Sheffield Centre for
Early Modern Studies: Early Modern Discussion Group Seminars, The University of
Sheffield, Sheffield, United Kingdom.
-
Chang, S. (2018, June 6). Listening to Painting: Intersensoriality and Correspondences between
Music and the Visual Arts. School of Graduate Studies: Graduate
Speakers Series, University of Toronto, Toronto, Canada.
-
Chang, S. (2017, November 24). Listening to
Painting: Music inside the Painter’s Studio. Intersensory, Performative,
Material: Music and Visual Culture in Early Modern Italy Study Day, University
of Toronto, Toronto, Canada.
-
Chang, S. (2017, October 17). Framing the Scene in
the Seventeenth Century: Doors and Pathways in the Painters Studio. Early
Modern Interdisciplinary Graduate Forum, Centre for Renaissance and Reformation
Studies, University of Toronto, Toronto, Canada.
-
Chang, S. (2016, October 27). Listening to
Painting: Music inside the Painter’s Studio. Early Modern Interdisciplinary
Graduate Forum, Centre for Renaissance and Reformation Studies, University of
Toronto, Toronto, Canada.
-
Chang, S. (2016, February 22). Enter Stage Left:
Stepping into the Painter’s Studio. Masters Lecture Series, Department of
Art History, University of Toronto, Toronto, Canada.
-
Chang, S. (2014, September 15). Music in the Italian Renaissance Home.
Gardiner Museum, Toronto, Canada.
-
The Space Between Non-Arts and Fine Arts: Confronting
Gender and the Decorative Arts, 1500–1800 (2021, April 16). Co-chaired with
Lauryn Smith (Case Western Reserve University). Association for Art History
Conference, Online.
-
Global Art: Networks and Receptions (2019, November
22). Re:Locations: Navigating Visions of the Asia-Pacific, University of
Toronto, Toronto, Canada.
-
Making Sense of the Senses: Evaluating the Sensorium
in Visual Culture (2019, October 25). UAAC-AAUC Conference 2019 Congrès,
Québec City, Canada.
-
Harmonious Composition (2019, June 13). Music and
Visual Culture in Renaissance Italy, The University of Sheffield, Sheffield,
United Kingdom.
-
The Art of Time [Double Panel] (2017, October 14).
UAAC-AAUC Conference 2017 Congrès, Banff, Canada.
-
Art and Reform (2016, October 21). The Toronto
Renaissance and Reformation Colloquium “On the Peripheries of the Reformation,”
University of Toronto, Toronto, Canada.
Conference and Event Organization
Conferences, Symposia, and Colloquiua
- UAAC-AAUC Conference 2021 Congrès (2021, October
20–23). Co-organized with Alena Buis (snəw̓eyəɬ leləm̓-Langara
College) and Elizabeth Cavaliere (Queen’s University). Online.
-
Eighth Annual Wollesen Memorial Graduate Symposium:
Matrix of Mobility: Networks of Objects and Exchange (2021, March 4–5).
Co-organized with Fahimeh Ghorbani (University of Toronto) and Brittany Myburgh
(University of Toronto). Online.
- One or Many? The Sister Arts in the Early Modern World
Symposium (2020, March 6). Co-organized with Angela Glover (University of
Toronto). Centre for Renaissance and Reformation Studies, University of
Toronto, Toronto, Canada.
- The Renaissance Society of America (RSA) Annual
Meeting: 2019 Toronto (2019, March 17–19). Recruited as
consultant. Sheraton Centre Toronto and University of Toronto, Toronto, Canada.
-
Global Reformations Conference: Transforming Early
Modern Religions, Societies, and Cultures (2017, September 28–30). Assisted
Prof. Nicholas Terpstra and Dr. Natalie Oeltjen. Centre for Renaissance and
Reformation Studies, University of Toronto, Toronto, Canada.
-
Confluences, Connections, and Correspondences: Music
and Visual Culture Conference (2016, October 13–14). Co-organized with
Elizabeth Rice Mattison and Lauryn Smith. University of Toronto, Toronto,
Canada.
-
Ravenna in the Imagination of Renaissance Art
Conference (2014, April 10). Assisted Prof. Giancarla Periti and Prof.
Alexander Nagel. University of Toronto, Toronto, Canada.
Lectures, Workshops, and Roundtables
- Expanding the Renaissance: Online Graduate Student Lightning
Talk Series (2020, December & 2021, February 26). Co-organized with Celine
Camps (Columbia University), Barbara Dietlinger (University of Chicago), and
Thomas Franke (University of California, Santa Barbara). The Renaissance
Society of America, Online.
-
Coming to Our Senses: Sensory Methodology and
Experience in the 21st Century [Two Lectures and One Graduate Seminar] (2018, October
18–19). University of Toronto, Toronto, Canada.
-
Masters Lecture Series [Four Lectures] (2016, February–April).
Co-organized with Lauryn Smith. University of Toronto, Toronto, Canada.
- Breaking
Conventions and Crafting Identity: The Multifaceted Relationship Between Women
and Art in the Low Countries (2022, June 2–4). Co-organized with Catherine Powell (Ghent Univeristy)
and Lauryn Smith (Case Western Reserve University). Historians of Netherlandish
Art Conference, University of Amsterdam and the Netherlands Institute for Art
History (RKD), Amsterdam and The Hague, Netherlands.
-
Confronting
Gender in the Collection: Approaches to Studying Women and Their Objects (2022, June 2–4).
Co-organized with Elizabeth Honig (University of Maryland), Catherine Powell
(Ghent University), Lauryn Smith (Case Western Reserve University), and Thijs
Weststeijn (Utrecht University). Historians of Netherlandish Art Conference,
University of Amsterdam and the Netherlands Institute for Art History (RKD), Amsterdam
and The Hague, Netherlands.
-
The Space Between Non-Arts and Fine Arts: Confronting
Gender and the Decorative Arts, 1500–1800 (2021, April 16).
Co-organized with Lauryn Smith (Case Western Reserve University). Association
for Art History Conference, Online.
-
Making Sense of the Senses: Evaluating the Sensorium
in Visual Culture (2019, October 25). UAAC-AAUC Conference
2019 Congrès, Québec City, Canada.
-
The Art of Time [Double Panel] (2017,
October 14). UAAC-AAUC Conference 2017 Congrès, Banff, Canada.
Copyright © 2022 Samantha Chang.